Le Festival de Cannes

Laura Morellon • December 18, 2024

Photo of Sue Maslin (producer), Sue Brooks (director) and Alison Tilson (writer) – Photo by Sue Maslin

At the Bastille Day French Festival, we love cinema! We all enjoyed watching as many films as we could during the Alliance Française French Film Festival during March and April. Next, along with francophiles and cinema lovers around the world, we will turn our attention to the Cannes Film Festival, the most famous and prestigious film festival in the world. This year, the 76th Cannes film festival will be held from 16 – 27 May. Which film will be awarded the coveted Palme d’Or?

The first Cannes Film Festival was held in 1946, although the idea had first been suggested in the late 1930’s. Cannes was chosen to provide an alternative to the Venice film festival (because at that time Italy was under the control of the fascists). However, the planned event, scheduled for September 1939, had to be cancelled due to the outbreak of the Second World War. Since 1946, the Cannes Film Festival has been held every year except for 2020, when it was cancelled due to Covid. 

The action takes place against the glamorous backdrop of the Riviera. Films are screened in the Palais des festivals et des Congrès, located on the iconic palm-lined La Croisette. The Palais is the location for the famed red carpet walks, as the stars arrive to be photographed, watched by crowds of admiring fans. 

Films are presented either in competition or out of competition, and each year a jury is appointed to decide the winning films. From those chosen to compete in the Official Selection, the best film is awarded the prestigious Palme d’or. Some films are selected as part of the Un certain regard category, which recognises up and coming, young, innovative film makers. There are numerous award categories, including for short films and documentaries. In addition to the expected awards for best actor and best actress, best director and so on, did you know there is also the Palme Dog, for the best canine performance in a film! The Directors’ Fortnight – la Quinzaine des cinéastes – is one of the parallel sections, in which independent or avant-garde films are featured. (This year Quentin Tarantino will unveil his new film “The Movie Critic”.) The 2023 opening night film is Jeanne du Barry which will open in cinemas around France on the same night. It tells the story of the favourite mistress of Louis XV (played by Johnny Depp). 

Meanwhile, the marché du film is also underway. A kind of giant trade fair for cinema industry, it is the place for networking, promoting and doing deals. Producers, directors, script writers, composers, and technical geniuses are all there spruiking their latest projects, while others are looking for a new and original idea which will become the next blockbuster. 

Most of us observe the festival from afar. We read about the significant entries and winners, and are fascinated by the stars, their behaviour, the fashions on the red carpet. But what is it like to actually be there? The Bastille Day French Festival asked some of our friends ‘in the know’ for the expert’s and insider’s view of the festival.

Andrew McGregor is Senior Lecturer and Convenor of French Studies at the University of Melbourne.

Andrew McGregor Photo – Photo by Andrew McGregor

He has published extensively on French cinema. Andrew comments: 

The Cannes Film Festival is without doubt the most famous and prestigious film festival in the world. It has been a key international showcase for Australian cinema for decades, especially since the revival of the local film industry in the early 1970s. Australians Cate Blanchett and George Miller have had the honour of presiding over the festival jury. I had the pleasure of attending the festival one year thanks to the then Director Gilles Jacob. The location is spectacularly French, and so are some of the parallel sections, but the Competition and the Film Market are well and truly international. Cannes prides itself on discovering the ‘next big thing’ in cinema from anywhere in the world. Jane Campion, Baz Luhrmann and Quentin Tarantino all had their big break at Cannes, along with many other directors from far and wide who would remain unknown today if it weren’t for the keen eye of the Competition and the career-affirming cinematic spectacle of la montée des marches…



Melbourne-based film producer Sue Maslin AO describes her insider’s view of the Festival: 

I have attended Cannes Film Festival many times and experienced it in all of its glory, despair and wonder – from the bottom to the top! That is, from the bottom of the pile as one of more than two thousand filmmakers all desperately trying to get their films financed and seen, to the top of the stairs at the Palais des Festivals in front of a crowd of thousands with a world premiere of my film. From pounding the pavement up and down between meetings, to being driven 500 metres down that same the Croisette in a chauffeur driven limousine to arrive on the red carpet. 

Cannes embodies the pinnacle of dreams – both realised and unrealised. It is also a market for buying and selling films from every country around the world – and that is where my journey began. My first trip to Cannes was utterly overwhelming. I was confronted with the scale of the international film business. More than twenty cinemas presenting a new film every two hours from morning to midnight … for ten days. Each one hoping to attract buyers. Literally thousands of scripts and films all crying out for attention. And there I was, armed with a beautiful script I believed in… hoping to cut through all the noise and find a buyer.

Meeting after meeting. Faint interest. No interest. “Send us the script and we’ll get back to you.” Queue up for two hours for tickets and dress up for an evening premiere and then once in the Palais, remember why you are here. French audiences LOVE cinema. And appreciate glamour and cheer stars and celebrate dreams come true. It is unbelievable to be part of a standing ovation that runs for ten minutes or more. Can people actually clap that long? At Cannes, yes, they do.

Fast forward three years and my film, Japanese Story (dir. Sue Brooks) starring Toni Collette was one of ten films officially invited to screen in Un Certain Regard and the red carpet experience unfolded. Endlessly flowing French champagne. Parties on super yachts under the sapphire blue night skies. Then the moment of truth – an advance screening to a roomful of world press and film critics – who are famous for walking out of screenings after a few minutes if they hate your film. In the packed preview screening of Japanese Story, a few seats were vacated and then the rest stayed. Silence at the end. No applause. Was the film going to be well received or not?

I need not have worried. The audience later that night voted with their astonishment, their delight and their resounding applause. The market also responded and the film sold to more than 30 countries. We had our moment…and then it was all over. It was back to the pavement next year and onto the next film…and the next!!

(Sue Maslin has had four feature films presented in the Cannes market – Japanese Story (2003), Irresistible (2006), Hunt Angels (2006) and The Dressmaker (2015).

Merci beaucoup to our two guest contributors!

You can find out lots more information and to keep up to date with all the news from Cannes on the official website:  https://www.festival-cannes.com/

While you are waiting for winners to be announced, why not listen to Barbara Carlotti’s song about the festival, aptly named Cannes. https://www.youtube.com/watch?v=sYVJtA9IqNI

Pauline Georgelin


December 19, 2024
When we think of French iconic objects, the blue and white stripes of a Breton shirt or marinière, immediately come to mind. From the French Navy’s uniform to the humble holiday shirt, and Jean-Paul Gaultier’s collections, the striped jersey seems to be in the wardrobe of every French person or Francophile! It is true that, in fashion, the eye seeks out a striped garment over a plain one. However, the stripe has not always had good press! The Stripe in the Middle Ages Indeed, in the Bible the stripe is the devil’s cloth: “Thou shalt not sow thy field with seed of two sorts”. According to Michel Pastoureau, an expert in Western symbology, the stripe is “the discriminatory mark par excellence, the one that is most visible and that underlines with the most force the transgression […] of the social order”. In the early Middle Ages, laws established that striped clothing should be imposed on bastards, serfs, convicts. It was then extended to all those who were outcast, either because of a conviction (forgers, false traders, perjurers, criminals), or because of an infirmity (lepers, simpletons, lunatics), or because they exercised an infamous profession (jugglers, prostitutes, executioners), or because they were not or no longer Christian (Muslims, Jews, heretics). All these individuals transgressed the social order, as the stripe transgresses the chromatic order. Similarly, spotted or striped animals attracted suspicion: it was said that horses lacking plain coats devalue those who ride them. The stripe’s rise in popularity Since the Renaissance, however, though remaining a strong social marker, the stripe gradually loses its diabolical connotation. It is used to distinguish all domestic subordinate functions (for example the caricatural striped vest of the butler) and military (uniform). At the same time, a vertical “aristocratic stripe” developed, which was found on the sleeves and shoes of young Italian noblemen or kings such as Henry VIII. Similarly, the zebra has benefited from the progressive revaluation of the stripe. The Revolutionary stripe According to Pastoureau, the Revolution constituted a turning point in the history of the stripes. The stripe was indeed prized by American revolutionaries and became the symbol of freedom and revolution. We can still observe its resonance today as attested by the flag with the thirteen red and white stripes – the 13 colonies of America insurging against the British crown. Our French revolutionaries also borrowed this motif, a patriotic sign par excellence, and used it in all the emblems of the Revolution. Stripes of the 19th Century Then a new meaning emerged for stripes: the hygienic stripe. While it had been inconceivable in Western civilisations to wear a body linen other than ecru or white, for reasons of both modesty and purity, changes appeared around 1860 in Anglo-Saxon countries. Colour began to emerge (for body linen, toiletries and later sheets) through the stripes. This hygienic stripe, which purifies the color while brightening the white, has of course nothing to do with the vulgar and negative stripe inherited from the Middle Ages. Similarly, under the impulse of Queen Victoria who dressed her son Edward, the Prince of Wales, in a sailor suit, the stripes were adopted for children. Rapidly all aristocratic and middle-class families in Europe fell in love with the striped knitting. The stripe today A rhythmic, dynamic motif, stripes became more and more democratic. The French striped jersey also inspired leading fashion designers such as Coco Chanel. Adopted by intellectuals and artists, such as Picasso, the Breton shirt gives a sense of Frenchness – attention-catching, freedom, and fun! Still curious? If you are interested in finding out more about the history of the French striped shirt why not pick up a copy of Michel Pastoureau’s The Devil’s Cloth. A History of Stripes and Striped Fabric ? To hear Prof Véronqiue Duché discuss other French cultural clichés book a ticket to Les Lumières bleu.
By Laura Morellon December 19, 2024
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December 19, 2024
Did you know that Ladurée sells over 4 million macarons? That’s just short of the population in Melbourne! History The Macaron first originated in 8th-century Venice where it was popular in monasteries. It was brought to France during the Renaissance by Catherine de Medici when she married Henry II of France; the pastry chefs she brought with her would make them for her in the palace! Macarons did not gain popularity, however, until the end of the 18th century when a convent near Cormery began making them. When the convent was closed because of the Revolution, two nuns that had sought asylum in Nancy decided to bake and sell these pastries in order to pay for their accommodation. Suzanne-Marguerite Gaillot et Marie-Elisabeth Morlot became known as the “Macaron Sisters” – what savvy entrepreneurs! The macaron we know today is different from those of the past. It wasn’t until the 1930s that the crispy discs were sandwiched together with ganache, cream or other fillings. These days, who could imagine a macaron as only a pair of crispy discs? The new macaron was known as the “Paris macaron,” and Pierre Desfontaines de Ladurée is credited as one of its creators. No wonder they sell 4 million a year! The Modern Macaron Today, the macaron is the most popular dessert in France and the flavours get more creative by the day. Whilst some of the more common flavours, such as rose and chocolate (of course), are very popular, so are the more bizarre filling choices, like foie gras, Cheetos and even Vegemite! Nowadays, macarons have also become part of fashion Haute Couture. Indeed, Ladurée and other Parisian macaron-makers frequently collaborate with brands, such as Emilio Pucci and Christian Louboutin, who design boxes because macarons aren’t just a culinary wonder, but also an aesthetic luxury. They deserve as much attention as high fashion clothing and handbags – of course! Moreover, whilst your average macaron can be bought for only a few dollars, Haute Couture macarons can go for more than $7,000 a box! The iconic Pierre Herme offers these macarons which are bedazzled with the finest and most luxurious ingredients, such as fleur de sel, red grape and fine balsamic vinegar. A macaron may simply be a delicacy to some, but there is a lot more behind it! If by now you are craving a delicious, pillowy-soft macaron to get over those winter blues, look no further… We may not be able to go to Paris at the moment, but let Paris come to you! You can find marvellous macarons (without that Haute Couture price tag) right here in Melbourne: La Belle Miette Luxbite Lindt Chocolate Cafe Ganache Chocolate
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